It’s a beautifully touching ballad that could fit easily into the catalog of an icon like Burt Bacharach, packed with forlorn lyricism, punctuated by a sweet trumpet solo from Trombone Shorty. Take, for example, the new but timeless nature of “Nobody’s Sweetheart,” written by artist-producer-songwriter Chris Seefried, who worked with Andra Day on her debut recording. Her voice is an old friend confessing her secrets, drawing you into her world. Lady Blackbird matches the authenticity and originality in this remake. The great Irma Thomas made the song a classic back in 1963. When she pleads, “Come back, come back, come back/ I’ve had enough,” on Allen Toussaint’s “Ruler Of My Heart,” there’s a piercing search for love that can only be delivered by a very few. She has long since left that side of her career behind, but the soul of that music is always close by.

The ease, growl, coo and convincing nature of her voice come naturally as she has been singing in front of audiences since childhood, and was signed to a Christian music label as a teenager. With a voice that harkens a cross between Mahalia Jackson and Nina Simone, Lady Blackbird tears your heart apart and puts it back together again on this 11-song set. This is heady, haunting, sexy, soulful, heartbreaking stuff. Black Acid Soul is the sensational new recording by Marley Munroe, a.k.a.

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